The International Magazine of Arts and Antiques of Southeast Asia

Volume 2, Issue 2, March-April 2021

Contents

EDITORIAL
by Dr. István Zelnik

The Journey through Beads from Prehistory to the Pyu States in Myanmar
by Terence Tan

Gemstone Objects from Burma: Gemmological Tests and Investigation of Production Technology
by Dr. József Takács

The Gallery

Book Review

INDEX OF ADVERTISERS

Preview
Arts of Southeast Asia, Volume 2, Issue 3. 2021/3
Hungarian Archeological and Cultural Heritage Mission in Cambodia

Editorial

Esteemed Reader,
It gives me great pleasure to introduce the seventh issue of Arts of Southeast Asia, which moves on to deal with the third part of a very special topic: the first two millennia of Burmese gem-cutting history, from the Samon Valley culture of 800 BCE through to the end of the Pyu Kingdoms in the tenth century.
For thousands of years, Burma has been renowned for its wealth of gemstone deposits: jade stones, ruby, emerald, agate, aventurine quartz, rock crystal, tourmaline and onyx, to name just the most widely known. These have been used to make utensils and ritual objects, including talismans and amulets with healing and protective powers, and jewellery.

Dr_Zelnik-portrait

Recently published studies and albums have shown how the cultural influences of India and Tibet have affected local beliefs and religions, including animistic rituals and the development of relics that have evolved over some three thousand years into the present day, and incorporate talismans and a cult of amulets that has spread across Asia.

In an excellent study by the Hungarian gemmologist, Dr. József Takács, you can acquaint yourself with the various types of Burmese gemstone and the techniques and tools that have been used in gem-cutting and processing in Burma for thousands of years.

Some wonderful material from the Burmese-American archaeologist and gemmologist, Terence Tan, gives a detailed overview of the historical development of Burmese gemstone talismans and amulets, and the art and culture of the Samon Valley and Pyu.

In Issue 5 of Arts of Southeast Asia, we showcased the cult and wonderful animal carvings that have been nurtured in connection with animal-shaped talismans over thousands of years in Burma and much of Asia. In issue 6 encounter the human-shaped talismans and the ancient world of gods and prospective saints. Issue 7 presents the wonderful, rich world of pectoral talismans and amulets in their masterful executions. Enjoy this extraordinary, precious gemstone-time travel!


Dr. István Zelnik

President of the Editorial Board

The Journey

from Prehistory to the Pyu States in Myanmar

by Terence Tan

From the Transition Period (The Bronze-Iron Age – circa 700 BC-200 BC) to the Iron Age (circa 400 BC-200 AD)

INTRODUCTION

The transition period in which the Bronze Age shifted to the Iron Age is most commonly referred to in Archaeology as the Bronze-Iron Transition Age (900 BC to 200 AD). In the later part of the Bronze Age, people travelled further, explored new regions, and made new discoveries. It is a common belief among historians that travellers and traders from Greece, Rome, Mesopotamia, Asia Minor, Central Asia, India,
China and East Asia travelled to the Southeast Asian countries via land and sea routes. At that time, people in what is today’s Myanmar were still in the Bronze Age.

Terence Tan

Gemstone Objects from Burma

Gemmological Tests and Investigation of Production Technology

by Dr. József Takács

In the past year, we have examined a thousand of Burmese gemstone objects at the Department of Mineralogy of the Eötvös Loránd University and at the Hungarian Southeast Asian Research Institute.

Our objectives were to:
– Identify the materials used
– Establish the techniques used in their production
– Determine whether they are authentic, ancient pieces
– Identify fakes, copies and objects that have been repaired
– Determine whether the objects have undergone any modification in modern times
– Describe and document the information obtained about the objects (several thousand micrographs were taken in order to document our work)

Dr. József Takács and Dr. István Zelnik

Pectoral Talismans and Amulets

The Gallery

Editorial Board

Dr. István Zelnik, Editor, President of the Editorial Board
András Mészáros, Director – International Relations
Dr. Philippe Smolarski, Asian and Far Eastern Art
Dr. Susan Conway, Arts of Southeast Asia

Róbert Kuszinger, IT Support
Miklós Sulyok, Hunor Holló, Photos
Csilla Bogdán, Péter Zénó Zelnik, Graphic Design
László Dinea, Website Support
Michael James Webb, Executive Editor
Index of Advertisers – ARTS of SOUTHEAST ASIA:
Volume 2. Issue 2. Burmese Gemstone Pectoral Talismans and Amulets

Galerie Zacke, Austria
Julius Art, Hungary
From the Collection of Dr. Zelnik, Switzerland
Ogotai Asian Art, Belgium
Din Sarom Asian Art Gallery, Belgium
Udom Chay Asian Art, Cambodia
Chhim Sothy Art Gallery, Cambodia
Chantas Prou Gallery, Cambodia
La Galerie Insolite, Cambodia
Muy Sim Gallery

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