The International Magazine of Arts and Antiques of Southeast Asia

Volume 1, Issue 4, September–October 2020.

Contents

EDITORIAL
by Dr. István Zelnik

The Gold Kosa of Phu Long
by Prof. Dr. Ngo Van Doanh

The Mysterious Durga Statue of Thap Ba Temple
by Prof. Dr. Ngo Van Doanh

A Century of the Da Nang Museum of Cham Sculpture
by Vo Van Thang

Vietnam-Cham Acculturation
by Prof. Dr. Cao Xuan Pho

The Mukhalinga of My Son
by Prof. Dr. Ngo Van Doanh

An Exceptional Cham Gold Collection
by Jean-Françoi Hubert

Excerpts from Chinese Sources on Cham Cloth and Jewellery
by Marton Nagy

Nguyen Trinh Thi: Letters from Panduranga
by Dr. Carolin Ha Thuc

Selected Cham Artifacts from an Important European Collection
by Janos Jelen

BOOK REVIEW

INDEX OF ADVERTISERS

PREVIEW
Arts of Southeast Asia, Volume 1, Issue 5:
The Art of Gemstone Beads in Myanmar

Editorial

Esteemed Reader,
It gives me great pleasure to bring to your attention this, the fourth issue of the new international art magazine, Arts of Southeast Asia, which was launched earlier this year. It is intended to bring the art of Champa, so little known around the world, closer to the interested reader.
Champa was a mystical state, formed through an alliance of kingdoms, that functioned between the eighth and nineteenth centuries, wedged between the expanding Dai Viet and the Khmer Empire. The combination of Hindu and Buddhist influences created a fascinating culture with outstanding architecture, sculpture, goldsmithing art, and Sanskrit-based hieroglyphic writing that was preserved for posterity on stone steles. Many significant monuments from this lost culture, its temples and holy places, have survived in what is now Central and South Vietnam, including the My Son temple complex renowned as a World Heritage Site. Unfortunately, a significant portion of Cham cultural heritage was destroyed by American bombing during the Vietnam War. The most significant Cham artefacts—masterpieces made of stone, bronze, gold, silver and ceramic—have been preserved at the Hanoi History Museum, the Da Nang Cham Museum and the Ho Chi Minh City History Museum.
I enjoyed the great privileges of visiting the historical sites of the Cham kingdoms, including My Son and Po Nagar, under the expert guidance of the world’s leading Cham scholar, the historian Prof. Dr. Ngo Van Doanh, and of having the masterpieces of Cham sculpture shown to me by the director of the Cham Museum in Da Nang. I grew especially fond of the world-class art of the Cham goldsmiths, which exhibits an extremely high level of professionalism and technical skill, a range of ritual objects made of silver and gold, Shiva and Buddha statues, Lingam and Yoni, symbols of fertility, and fantastic court and tribal jewellery and functional objects.
So it is that in one article Arts of Southeast Asia is presenting one of the largest collections of Cham gold and silver objects in the world, published for the first time in an art journal.

Jean-Francois Hubert, the most renowned Cham expert in the Western world and author The Art of Champa—considered a masterpiece to this day—characterises Champa in the following way: Evoking Champa means glorifying death, sanctifying remnants, magnifying clues, singing the praises of mourning and reconstructing history. Champa only exists now in the memory of a diminishing collection of living people who desire eternal life, in a half audible melody—necessarily exotic— that is hummed by a few disquieted spirits. (The Art of Champa, 2005 p.7)


Dr. István Zelnik

President of the Editorial Board

The Gold Kosa of Phu Long

Prof. Dr. Ngo Van Doanh

A representative of the Quan Nam Provincial Museum announced, at the XXXIII Vietnam Archaeological Conference, that the gold head of a Shiva statue had been found while searching for scrap metal in Phu Long (Dac Loc, Quang Nam). The statue is 24 cm high and weighs 0.58 kg, with a conical head disk, which is twisted twice at the top. The cone is divided into four segments which were made separately, and then fixed to the top of the head by bending the rim back into the head. There is a third eye in the centre of the forehead that is aligned vertically, while the two main eyes are set slightly oblique on either side of the tip of the nose…

The Mysterious Durga Statue
of Thap Ba Temple

Prof. Dr. Ngo Van Doanh

King Sri Indravarman III installed a golden image of the goddess Bhagavati at the Thap Ba Temple in 918 CE, we are told by a stele inscription at Po Nagar:
In the year of the Sakas denoted by ‘vyoma-amburasi-tanu’ [840 Saka], on Sunday, the eleventh day of the dark fortnight of the month of Suci [Jyaistha or Asadha], he [Indravarman III] installed a golden image of the goddess Bhagavati in order to gain fame around the whole world.
The inscription also praises King Indravarman:

A Century of the Da Nang Museum of Cham Sculpture

Vo Van Thang
Đà Nẵng is a port city in Central Vietnam. Historical documents and ancient relics that have been found in the vicinity of Đà Nẵng show that the area was occupied by the people of the ancient kingdom of Champa from the early centuries of the first millennium to the fourteenth century CE.1 In the French colonial era, before World War II, the city was known in French as TouraneSome of the buildings from French colonial times can still be seen today in Đà Nẵng, the most special of them being the Musée Cham (Cham Museum), which was built in 1915 in the jardin de la ville de Tourane, on the scenic bank of the Hàn river…

The Mukhalinga of My Son

Prof. Dr. Ngo Van Doanh
The discovery of a sandstone Mukhalinga, which had been exposed through high-pressure water washing, on the surface 10 metres east of the E4 temple at My Son was announced by the My Son Historic Memorial Zone Inspection Agency on November 15, 2012. This 126.5 cm high work of art was found almost completely intact.
The Mukhalinga resembles a traditional linga, consisting of three parts of equal height (42cm each) and the same width. The base of the lowest part has a square cross-section (Brahmabhaga), with each side 41.5cm in length…
Editorial Board
Dr. István Zelnik, Editor, President of the Editorial Board
András Mészáros, Director – International Relations
Dr. Philippe Smolarski, Asian and Far Eastern Art
Dr. Susan Conway, Arts of Southeast Asia

Róbert Kuszinger, IT Support
Miklós Sulyok, Photos
Csilla Bogdán, Graphic Design
László Dinea, Website Support
Michael James Webb, Executive Editor
Index of Advertisers – ARTS of SOUTHEAST ASIA:
Issue 4. Arts of Champa

Galerie Zacke, Wien, Austria
Michel Leclerc, Belgium
Julius Art, Hungary
From the Collection of Dr. Zelnik, Switzerland
Ogotai Asian Art, Belgium
Din Sarom Asian Art Gallery, Belgium, Belgium
Udom Chay Asian Art, Cambodia
Chantas Prou Gallery, Cambodia
Khmer Art – Modern Cambodian Painting, Cambodia
Natural Art Gallery, Cambodia
La Galerie Insolite, Cambodia

The Unique International Magazine of
Arts and Antiques of Southeast Asia

ORDER FORM

Note: for airmail delivery to Europe add 9. – EUR,
for delivery to America, Asia and Australia, please add 14. – EUR
Payment only by bank wire to the account of:
ARTS of SOUTHEAST ASIA
KBC Bank SA Avenue du Port 2, 1080 Bruxelles, Belgium
IBAN: BE 12 7360 6155 9092
BIC/SWIFT: KREDBEBB

quantity
quantity
quantity
quantity
artsofsoutheastasia.com
info@artsofsoutheastasia.com
This website uses cookies and asks your personal data to enhance your browsing experience.
We only share information with your consent, to comply with laws, to protect your rights, or to fulfill business obligations.